| | Freya
has decorated her beautiful body with two major tatoos, the ladybirds
on left upper part of her left arm and the dragon on her back. Here
follows the story behind her tattoos told by the artist who created them, Colin
Dale, and in red (in Danish) Freya's
own writings.
Many
thanks to Freya for the short storis about her tattoos, written exclusively
for this site. Also many thanks for her approval to show the photos on
this page. Thank
you to Colin
Dale for his version of the events written excluselively for this
site, the photographs of the tattoos and his permission to use them on this
site. | |
| | The
Ladybirds 
| |
Photos
by Eric Klitgaard © 2002 | | From
the first time that Freya appeared on the Danish rock-pop scene,
one of the first things that cought our attention was the 10 Ladybirds - 5 red
and 5 green ones - twined around her left arm.
From
time to time many people have asked Freya if her arm tattoo was
"real" or merely a fake. So below you can read the true story about
Freya's two tattoos, written by herself (in danish) and the artist
who made the tattoos, Colin Dale. Here is what Freya
writes about the Ladybirds: Mariehøneranken Den
tatovering havde jeg overvejet i lang tid. Jeg havde i lang tid et klart billede
af hvordan den skulle se ud - og hvor smart det ville være! Derfor bad jeg
min bror om at tegne modellen til den når han fik tid. En
dag i december '98 kom han så hjem til mig med den, og jeg gik straks ned
til Kunsten På Kroppen og fik en tid. Jeg blev tatoveret d. 30. december. The
Ladybirds Freya
had for a long time considered the ladybirds as a subject for a tattoo she would
have made. She asked her brother, Rune Clausen, to create the design and had Colin
Dale from Kunsten
på Kroppen to make the tattooing on 30. December 1998. The
ring around Freya's left arm consists of 10 ladybirds. As a hint to her debut
single, Yellow Ladybird, it would have been obvious to draw yellow
ladybirds on the arm. But Freya found that the yellow tattoo colour
would not match her skin colour, so it ended up with 5 red and 5 green ladybirds. | | |
|  Photos
by Eric Klitgaard © 2002 | |
| |  The
ladybird frieze copied together. Photos by Eric Klitgaard © 2005
Here
is the tattooist Colin Dale's report on the making of the ladybird
frieze:
| |
| |
 Photo
by Colin Dale © 1998
When
I first met Freya, she was a skinny little kid who had just turned
18. The thing that set her apart from most of our first time customers was her
poise. She knew what she wanted and came well prepared, while still willing to
listen to our expertise as well. She came alone, not with a flock of giggling
girlfriends to give her support. She came with a finished line drawing (not too
complicated nor too small) of the design in the correct proportions to fit around
her arm, so very little modification was needed to transfer the design to her
body. Her skin was nice to work on as she took the ink quickly and evenly,
so we were finished after a couple hours. At this time I took a few photos of
the finished work and almost as an after thought I took a quick portrait as well.  Photo
by Colin Dale © 1998
Freya's black hair and shirt contrasted so well with her pale skin
which accented the bright red and green ladybirds which were intern complimented
by the same colours in her necklace. Looking back, I wish I had spent a little
more time on composition. Due to the success of her first album, it wasn't
long before Freya (and her tattoo) started showing up in gossip
magazines. My wife, who worked at an nursing home at this time, would often get
comments from the residents who knew her husband was a tattooist about how sweet
they thought Freya's tattoo was. Coming from people in their 70's
and 80's this came as quite a compliment indeed. My wife would proudly comment
that it was I who had tattooed her, but more often than not she would be contradicted
by someone who had read in the article that her brother had done it. Of course
this was totally fair, as her brother was the actual artist, while I was merely
a craftsman reproducing his work. With this in mind we were quite happy
for the return visits, first by Freya's brother Rune,
who had a Viking design done by Erik and finally when Freya herself
returned for a second tattoo. | | Photos
by Eric Klitgaard © 2002| |  Photos
by Eric Klitgaard © 2002
| |
| | Here
is what Freya writes about her second tattoo, the Dragon:
Dragen Siden
jeg fik min første tatovering har jeg leget med tanken om at få en
til ... jeg overvejede lænden og maven - til højre under navlen.
Lige pludselig i sommeren 2000 besluttede jeg mig for at nu skulle det være,
og at det skulle være en drage. Jeg overvejede kort en farlig, farlig tiger
på spring! (Men så blev det en drage i skjul ...!) Det var
Colin Dale der tegnede dragen, - det gjorde han direkte på
min ryg. Først havde han en forestilling om at den skulle fylde hele ryggen
- så jeg blev lettere overrasket da jeg så mig i spejlet første
gang - han havde tegnet dragen så den snoede sig fra skulderbladene og hele
vejen ned, og halen snoede sig om på maven. Så der skulle lige nogle
justeringer til - den blev tegnet om en del gange .... og den blev mindre og mindre.
Dragens udseende kommenterede jeg også hen ad vejen og til sidst var den
som jeg ville have den. Så gik Colin igang med at
tatovere og nu har jeg en fin drage på ryggen for evigt. Jeg valgte
dragemotivet fordi en drage er både råt og feminint, snørklet
dekorativt på samme tid - den dobbelthed fascinerer mig. The
Dragon Ever
since Freya had had her first tattoo, she felt like having another one.
Her first idea was to have one on her belly - to the right below the navel. But
it ended up being a dragon on the back. Freya was facinated by the
duality of the dragon - at the same time raw and though feminin. So, on 18. September
2000, Freya again went to Kunsten
på Kroppen and once more it was Colin
Dale who had the privilige to use Freya's pale skin as a canvas for his artistic
creation! In
the first place Colin had drawn a dragon covering Freya's
entire back with its tail winding round her belly! Freya almost
got a chock when she watched her back in the mirror, so another sketch was made.
Several attempts were made before Freya were satisfied. And now she has
this facinating tattoo - often displayed by Freya wearing short
tops at her live performances. | |
| |
 Photo
by Colin Dale © 2000
Here
is the tattooist Colin Dale's report on the making of the Dragon:
Freya paid us an impromptu visit with her boyfriend in the summer
of 2000, where they browsed through our photo albums and asked questions. She
didn't have an exact motive in mind but had been thinking of something small on
her lower abdomen or something larger on her lower back, perhaps a tiger or a
dragon and asked if I'd be able to design something for her. I'm quite proud of
my dragons so I was excited by the idea. I explained it was probably best if I
drew directly on her with a felt marker, so we could get an original design which
best complimented her form. As we are quite busy in the summer I had to set the
date ahead to the 20th of September. Freya arrived at the
appointed time and we went to work. As the back is one of the largest expanses
on the body, I started big. I thought a Viking dragon would be more appropriate
(and original) than an Asian type, as we live in Scandinavia and her name is Freya
after all. Going from her original ideas I started on her lower back with
a Viking rune dragon which extended laterally with Celtic knot work that followed
the curve of her hip with the tail ending on her lower abdomen. She was a little
shocked when she looked in the mirror for the first time. Although beautiful and
complimentary to her form she thought it was a little more than she was willing
to attempt at this time. She told me she had envisioned more of an Asian style
dragon which extended upward while remaining within the confines of her lower
back. I set to work again giving the dragon an enlarged head and tightly pressed
'S' form to the body so I was allowed a large area to work while still remaining
within the confines of the lower back. In this way I was able to set in the most
detail, while still keeping the design simple enough to be recognised at a distance.
After the form was approved we still had to argue about size. Luckily we came
to a quick compromise, as Freya's limits on how large she
wanted it coincided with my limits on how small I would make it and after a few
details we got started. Sitting on the floor I began with a few short
lines to accustom her to the pain again. As the lower back is between four muscle
groups it doesn't have much fat or muscle to cushion the blow. Plus the fact that
all the spinal nerves end at this point make it a very sensitive area indeed.
Freya broke out in a cold sweat, but said to continue and soon
settled into the hours of work ahead of us. As always she sat rock steady
never uttering a word, her skin took the ink well and we made rapid progress.
I gave the dragon some feminine touches with long eyelashes and the like,
the squat body, large head and pushed in nose give it a rather infantile appearance
... a baby dragon. While it contains Asian aspects in the rendering, the tattooing
technique is specifically Nordic giving her a one of a kind dragon that will last
a lifetime ... the results speak for themselves. Photo
by Colin Dale © 2000
You
can visit Colin Dale's Tattoo Site here
| |
BACK
TO MAIN | |